The Rattle Bag: Collecting the bits & pieces

When did you last ask for a miracle?

March 9, 2010 · 1 Comment

enlightenment“When was the last time you asked for a miracle?” I asked friends and family a couple of weeks ago.

I was curious how they’d respond.

Putting religious interpretations of miracles aside as well as scientific, historical or cultural vantage points, I was more curious about people’s expectations.

What does modern man, scratch that, post-post-modern man expect from his world? Past the Age of Reason, past the Enlightenment, have we become disenchanted thanks to our focus on facts?

In general, I think the answer is yes. To me, it seems that beyond the half-hearted attempt of Santa Claus, we have painted ourselves into a corner.

What corner? The idea that anything could happen to me in this great big, mysterious world is what excited me as a child.

That excitement translated into dreams and those dreams nourished a desire to be the first one out the door every day. Every plane that hung from the sky, every car that whizzed by populated my world with possibilities.

Outside of the realm of religion, the purpose of miracles has a lot to do with our expectations. Does it sound over the top if I say that I expect my life to be miraculous?

Out of the dozen or so people that I surveyed, only three had given any thought to asking for a miracle as an adult. What do we lose in our rational preference for proof?

If you don’t ask, you don’t get, as the saying goes.

Years ago, in my previous career, a co-worker who was more successful at what he did than I was, walked me through an intriguing exercise. It went something like this:

“Picture yourself down the road, years from now,” he said. “Let’s say you’re 30. How much money do you want to be making by then?”

I replied, “$30,000.”

“OK, now that you have that in your head,” he said, “you’ll figure it out.”

I thought it was an absurdly brief and arbitrary exercise. I picked that number to be my future salary because it sounded like a lot of money at the time. As it turned out, the goal wasn’t a hard one to achieve.

My friend’s method worked. It sounded like a shot in the dark to me at the time. How would I go from making $24,000 to $30,000 in just a few years, especially since I found my way into that company as a temp?

The path forward was unknown to me. Without the aid of facts, it was a leap. But it was a leap that I believed was possible. And what if I chose to be a realist?

The odds that a temp, who knew nothing about the field in which he landed, would be able to almost double his salary in such a short time seemed low. (I actually overshot my goal by a lot!)

A realist might have assessed himself at the bottom of the totem-pole and thought lower expectations would be prudent.

“If it is something you can receive by asking is it a miracle?” my mother-in-law, Ann asked.

That is the key point here. Many times, what you believe determines the outcome.

“Are hoping and asking the same?” Ann continued. “Is a miracle bigger than a hope?”

Are people’s hopes big enough these days?

My dad once offered advice that would fit well here.

“There are many reasons why you can’t do things in life, but if you can think of one reason why you can, go for it,” he said.

Shooting down the possibility of miracles in your life takes away that reason. This is the corner we should avoid painting ourselves into.

When was the last time you asked for a miracle? Is there one that you wish were possible?

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planes at dusk

March 8, 2010 · Leave a Comment

photo by Gene

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Poem: The Rise from Forever & a Day

March 7, 2010 · 1 Comment

The Rise from Forever & a Day

1 bone
1 scratch on the bone
1 cave
1 dead crow pointed to with the scratched end of the bone
1 token
1 taken away
North
A building with a roof that points up
Need
The distance covered by God in a year
A shining city

→ 1 CommentCategories: God · Poems from Eyedark · caves · cities · civilization · poem · poem by Gene Myers · progress · symbolism
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Poem: Natural Order

March 6, 2010 · Leave a Comment

Natural Order
“Eternity is a terrible thought. I mean when is it all going to end?” – Tom Stoppard

Then self-reflection was invented and
eternity was the first spot on the map.
For many, never ending offered a life’s work.

To John, it meant never finding his socks
while neighbors added meaning to their days
and planned for infinite potluck dinners.

John seemed doomed to a lifetime of searching
and banging his head a lot
on the lower, darker corners of his cave.

What would it feel like to wander outside, face up to the sky
feet on grass, feet on sand, feet in water…?
Finding his socks would be such a singular event.
But the hiatus would be unnatural.

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Column: I died and went to heaven

March 5, 2010 · 1 Comment

jeep1I was in the upstairs hallway of a house that felt like a home my family had yet to live in. The walls were shaking.

Something big was about to happen, but my wife Sarah knew that it would be a minute or two. So she was downstairs checking out the pantry.

I didn’t want her to miss God’s big entrance.

“He’s coming now!” I yelled down to her and braced myself.

She got to my side just as the hallway filled with light. The next thing I knew, we were outside on a dirt road in an idyllic country town under blue skies.

I sat in the driver’s seat of a brand new Jeep. A parade was starting to move behind us. People filled in along the sides of the road as Sarah got into the passenger seat.

My cousin Katy and her husband Joe pulled up along side of us. They also had a new SUV and were smiling and laughing as they took the lead position.

As the parade moved forth, the scene changed as if it were a movie. The camera panned through clouds until it zeroed in on a town on earth.

It is at this point that I realized that my dream was taking place in the future. Sarah and I had passed away and we were being led by a caravan of loved ones into heaven.

The dream continued with us looking down on a country town much like the one we were in up in heaven and then I saw my son Owen from a top view.

In reality, Owen is 16 months old. In this dream, he was a man with thinning hair-around the age that my parents are now. He looked a lot like my Uncle Bob, but with bright blond hair.

He was wearing tan shorts, a white T-shirt and dirty sneakers as he finished lining up rows of mums in front of a white gazebo. There was a sign sticking out of one of the pots that read “Myers mums.” Owen picked up a guitar and stepped into the gazebo.

I awoke to the sound of Owen playing in his crib and whispered the dream to my wife.
“I think God was trying to give you some perspective,” she said.
She hit the nail on the head. The dream was chock full of things that the both of us love, from the pantry to the Jeep, friends, family, music and even my wife’s new interest in gardening were all present and accounted for–such a lavish display to put my mind at ease.

We’ve been running like crazy from one high priority task to another over the last couple of years: pre-natal care, selling a house, buying a house, taking care of our baby, careers, etc. That is until last week’s vacation, which started with this dream.

Isn’t the brain amazing?

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March 4, 2010 · 1 Comment

In the afterlife

Will they have been watching?

Or do they need to be caught up?

→ 1 CommentCategories: poem · poem by Gene Myers · poetry
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March 3, 2010 · 1 Comment

The footprints they manufactured

The photos they doctored

When they should have been home

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Interview with Otis Williams–One of the original Temptations!

March 2, 2010 · 1 Comment

Otis Williams is the only founding member left in The Temptations. As such, he spiritually anchors the hit R&B group.

And his spirit is alive and well. Even though he’s been singing “My Girl,” the group’s first number one single, since 1961, Williams hasn’t grown tired of singing it for fans. He approaches performances and new records with fervor because he still has something to prove.

But he’s not aiming to prove anything to himself, or to his fans. He wants to show today’s singers how it should be done. He doesn’t hold back in his harsh assessment of today’s top R&B acts – acts that his group has paved the way for. He doesn’t begrudge them for the their rapid paths to success, he just doesn’t think they have much depth to show for it.

Gene: Who are your favorite singers?

Otis: Most are no longer here: Luther Vandross, Marvin Gaye, Jackie Wilson, Sam Cooke and I must add the late, great Gerald Levert.

Gene: There are many stories of legendary musicians, like you, who had to struggle to get their songs heard and to get a fair wage. What do you think of how a lot of today’s stars, like “American Idol” winners, seem to have an easy ride?

Otis: I think the artists of today are standing on the shoulders of earlier pioneers who fought to make our music well known and fought to break down barriers, and then there was the fight for royalties… A lot of those barriers have been broken down so that today’s artists can flourish.

Gene: What do you think of today’s R&B singers?

Otis: I am not that impressed with the music of today. Music from Motown, music from Philadelphia International, music from Stax/Volts, some of the earlier CBS and Atlantic music is still accepted today because our music was better than the music that’s out today. I even hear that from kids sometimes. I’m not impressed. I heard an artist the other day and she was cussing… I said, “My God! This is what music has evolved to, where you have to curse to get your point across?!” It’s a bad reflection of we as a people. We have demoralized ourselves.

Gene: Are there exceptions, any younger artists that you do like?

Otis: I would have to think long and hard, and that is a problem too. Back in the old school days, you could just rattle off names. I can’t think of any genuine singers on the radio. I would have to do some serious thinking, and please believe that it [the list] ain’t gonna’ be over five.

Gene: Of the songs you perform, is there one that stands out as being physically challenging to sing?

Otis: The one that is physically challenging is “Treat Her like a Lady.”

Gene: Why is that?

Otis: Our wonderful, late, great choreographer Charlie Atkins had us, and still has us, stepping. It lets you know what kind of shape you’re in! You got a lot of little trick steps and then you have to leap up and down. That’s the most challenging routine in our repertoire.

Gene: Is there one that’s emotionally difficult to sing?

Otis: We used to do “For Once in My Life” with the late, great Paul Williams. When he sang that you just wanted to well up and cry. He was singing that song with so much emotion! That was the only one that was hard to do.

Gene Is there a song that you enjoy performing the most?

Otis: I am a big Temptations fan myself! I am very proud of our iconic songs. First and foremost, I would have to give it to “My Girl.” “My Girl” is the one that they [fans] look for us to do come hell or high water.

Gene: And , you don’t get tired of it?

Otis: No, I don’t. The only thing that tires us out are the ungodly hours of traveling to get to each performance. On the performing end, as long as we get rest, we don’t get tired of it. When you start getting tired of songs, that is a hint to get out of the business! People are spending their hard-earned money and they want to hear that song. If they are not tired of the song, why should I be tired of it?

Gene: The next question actually comes from singers who were influenced by you. Daryl Hall and John Oates’ band mate, Tom “T-Bone” Wolk, wanted me to ask you if you are aware of the major influence you’ve had on them?

Otis: Daryl used to come by when we used to play the Uptown in Philly and help us with our uniforms. He was a young fellow… They are wonderful fans to have throughout the years.

Gene: I have an a cappella version of “My Girl” and recently, on a song that you wrote, “You Are Necessary in My Life,” starts off a cappella. Do think that you guys might do more a cappella stuff?

Otis: I think that we are going to have a cappella on the next album, on a song that Sting did: “If You Love Someone Set Them Free.”

Gene How about a whole song or an album?

Otis: You can never tell. The album we are getting ready to do has some a cappella. So you like the a cappella on “Necessary?”

Gene: I do.

Otis: We do that in the show and people seem to really enjoy it.

Gene: What do you want your legacy to be?

Otis: That’s entertainment! I’d like to think that we really entertain our fans.

Gene: What is the best thing that music has given you?

Otis: Music has given me enjoyment, a purpose and a sense of relief. It’s a good antidote for the body when you need to feel better. It’s been wonderful. I thank God for being able to do music that people love.

Gene: What’s involved with preserving your voice?

Otis: Rest, and don’t drink alcohol or do drugs. You have to take care of your voice because it’s an instrument unto itself.

Gene: On your Web site, you say that The Temptation’s recipe for success is “staying in tune with the times, but not chasing the trends.” How do you manage that?

Otis: You have to stay in touch with the times, but don’t step out of character and be something that you’re not! Hip-hop and rap are popular, but you will never see The Temptations trying to be hip-hop. The key, to us, is great songs. We’ll always stay in character.

Gene: Any tips for readers that want to be singers?

Otis: If you have the God-given talent to sing, you should pursue it relentlessly and the rest is being in the right place at the right time.

Gene: Can you see a day where retirement might be appealing?

Otis: I get asked that often. I wonder if it’s because I’ve been around so long. The only thing you wait for once you retire is to die! I’m not ready for retirement!

Gene: You probably get asked that question a lot because a lot of people don’t understand what it’s like to have the passion that you have.

Otis: That’s right!

Gene: How do The Temptations stay fresh?

Otis: You’ve got to love it! Rap and hip-hop are very popular, but we still wedge our way in there to let them know that good music should always be in [style]. We thrive on that challenge. It revs up our adrenaline…When you can still get acknowledgment 45 years later, that lets you know that you are still in the mix!

→ 1 CommentCategories: Gerald Levert · Jackie Wilson · Luther Vandross · Motown · Otis Williams · Philly soul · Sam Cooke · Stax · TSOP · The Sound of Philadelphia · The Temptations · interview · marvin gaye · singer · singing · soul music
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March 1, 2010 · Leave a Comment

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Compact, compact, compact!

February 28, 2010 · Leave a Comment

When I got contributions from haiku master Gary Hotham for the current edition of Now Culture, I decided to let myself get swept away by the whole thing… (I was probably predisposed to this kind of thing happening to me because as a kid, my first big favorites were A.R. Ammons, Emily Dickinson and WCW.)

To me, the idea of imposing size limits on poems is exactly what empowers them, charges them and makes them spiritual in a very special way that I am not sure another art can manage.

http://nowculture.com/nowcu/index.htm

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